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ome consider sport a purely recreational activity, while others consider it a useless waste of time. Yet to others yet, sport is an essential and transformative part of society. Many sociologists agree with this latter view of sport. Sport exists in and has a profound affect upon most organized societies. It is much more than a recreational activity; it shapes the culture and society in which it partakes. Sport develops acts as a force to alter identity and culture, and may create unity.

In Brazil, football—or in Portuguese, futebol—has been a force for change since its beginnings in the late Nineteenth century. Furthermore, futebol has transformed cultural identities in Brazilian society. It changed the national, racial, and modern identity of Brazilian culture and society in the early decades of the Twentieth century. Moreover, futebol created a national and modern identity for Brazil because of the fact that it changed the racial identity of Brazilians. futebol entered into is ÒGolden DaysÓ due to its transformation of Brazil and of course with the ultimate Brazilian hero: PelŽ.

Discovered by Pedro Cabral in the 1500s and claimed by the Portuguese, Brazil became a large country with a very diverse society composed of many different ethnicities calling it home.  During the end of the Nineteenth and the first half of the Twentieth Centuries, however, Brazil underwent cataclysmic changes that prepared the country to forge a unified national identity.  One such change occurred in 1888 when the Brazilian government passed the ÒGolden Law,Ó which outlawed slavery.  This was a major step forward as slavery had been permanent part of the Brazilian social and economic landscape since the founding of the original Portuguese colony in 1550.

 

Over the following 300-plus years Brazil had, in fact, seen a huge influx of slaves, Òmore than any other country in the Americas.Ó[1] While the outlawing of slavery gave all Afro-Brazilians freedom and the chance to rise in society, racist ideologies prevent this from happening for decades.  Afro-Brazilians were not the only ethnicity in Brazil to be searching for an identity.  Brazil received a large number of immigrants during this period also. Around 3.8 million immigrants came to Brazil from 1827 to 1930.[2]  These were mostly European, followed by a significant number of Japanese. Brazil became a mixture and conglomeration of different ethnicities, all searching for their own identity in the vast country. The end of slavery also led Brazil into the future, breaking ties with the traditions of the past and setting the stage for it to enter the modern world.

Furthermore, another big change was the dissolution of the monarchy in 1889 after a liberal-inspired coup dÕetat ousted King Pedro II.  Marshal Deodora da Fonseca, the head of the Brazilian military, led the coup. In 1891, a new republican constitution was set up with Fonseca as its new President. Fonseca resigned less than a year later and his Vice President Marshal Floriano Peixoto claimed the presidency. Even with the new constitution, it was not a real democracy. After PeixotoÕs ouster, the next president, Prudente de Morais, was the first president actually voted in by popular election.  A number of other presidents and overthrown presidents soon followed.  GŽtulio Vargas stepped into the presidency following a rigged election and political assassination of the ÒelectedÓ president, Jœlio Pessoa. Vargas came to power under his military coup and when elections came up later, he set up his own new government, the Estado Novo [New State].   Estado Novo was VargasÕs way of controlling and suppressing every aspect of government and society under the guise of building a new, better state. He ruled as a dictator till 1945. The number of successive coup dÕetats and presidents just give a hint of the political instability and corruption that Brazil faced during this period. During this time of political upheaval and turmoil, Brazil looked at the international stage and longed to be a part of it. BrazilÕs government instability could not put her in the international spotlight.

At the turn of the Twentieth Century, Brazil was a country searching for a national identity, something in which to take pride.  The diversity of the country, however, with all of its different ethnicities, regions, and languages, made developing a national identity very hard.  In 1933 sociologist Gilberto Freyre wrote Casa Grande & Senzala (or in English, Masters and Slaves), an anthro-sociological work that embodied the Brazilian racial identity of that time.  Freyre described the colonization of Brazil and the relations between the Portuguese, Africans and Indians.  FreyreÕs book—and the racial ideology it proposed—became the force behind the Brazilian national identity.  Freyre argued that the mixture of the ethnicities created a ÒnewÓ mestizo race superior to all others.  As a reaction to the Social Darwinist theories of the time in America and Europe, FreyreÕs thesis defended his people, the Brazilians, by arguing that the mixture of races did not create inferiority, as Social Darwinists maintained, but instead bred a hybrid race superior to the others . Brazilians became the Òmaster raceÓ under FreyreÕs ideology[3]. He gave several reasons for the grandness of Brazilian people relating back to the Portuguese sexual habits that caused the miscegenation, the climate of Brazil, and the African slaves brought over from Africa. Freyre claimed that the Africans that came to Brazil were better than the ones that went elsewhere in the Americas. He said that ÒBrazil took from the topsoil of AfricansÓ[4] and talked about the Òsuperiority of the Negro colonizers of Brazil over those of the United States.Ó[5] All of these characteristics led Freyre to claim that Brazilians were better. The Portuguese colonizers fascination with native and African women and the superiority of the Africans led to the creation of the Brazilian race.

Gilberto Freyre, c. 1975

FreyreÕs book became the source of national pride giving Brazilians the identity the diverse country had  sought.  Historian Marshall Eakin has noted that Òwhile privately the racial prejudice did not disappear, publicly FreyreÕs view gradually became the official vision and a basic component of the national psyche.Ó[6]  FreyreÕs ideology of ÒBrazilianessÓ became the gestalt that united Brazilians under the idea that they were a unique and superior race, a race that—through miscegenation rather than racial purity—had become greater than the ÒpureÓ peoples of the Western world.[7]  As a result, Brazilians found pride in the fusion of the races that constituted their heritage.  No longer need they be ashamed of their countryÕs racial mixture.

Despite surface appearances, FreyreÕs ÒBrazilianessÓ did not exactly include all Brazilians.  It failed to provide room for different cultural and social expressions from the Afro-Brazilians and Indians.  Freyre also remained distinctly racist in his writings by promoting the idea that Africans and Indians remained inferior to the Portuguese or ÒwhiteÓ race.  In fact, Freyre contended that miscegenation had civilized the ÒnativeÓ races.[8]  One can clearly see where FreyreÕs ideology fell short of creating a cohesive national identity. But futebol, on the other hand, would succeed were Freyre failed, establishing an identity that grew to include all Brazilians.

Charles William Miller, a Brazilian-born Englishman, first introduced the sport to Brazil in 1894.  At first only the British comprised the few teams that played, but the sport gradually gained popularity among the Brazilians.  Starting with the elite, it quickly moved to the masses and became popular among all Brazilians.[9] Indians, Afro-Brazilians, the immigrants and the rest of Brazilians soon indulged in futebol, so much so that by the early 1900s, it became BrazilÕs most popular sport.[10]

Rare photo of Charles Miller (left) being challenged in the first recorded football match in Brazil, played at Chacara Dulley between Mackenzie College and MillerÕs Sao Paulo Athletic Club.  Sixty fans saw Sao Paulo win, 1-0. (BBC)

One reason for futebolÕs popularity, especially among the masses, was that it required very little equipment. All one needed was a ball and a large playing field.  Futebol became especially important in the developing favelas,  slum communities built just outside the larger metropolises of Brazil. With the rural exodus to find work in the cities, the favelas grew exponentially, creating large pockets of impoverished people. Futebol quickly spread among the urban poor. Because of the sportÕs inexpensiveness and its generally informal nature, anyone lacking a privileged background could still master futebol.  Because the poor had so little, they found in futbol a sport they could call their own.

As futebol grew, so did the talent of the Brazilian players. As early as the 1930s, Brazilians started competing against teams from neighboring Argentina and Uruguay. The Brazilian national futebol team laid the foundation for the national identity through sport as it united Brazilians in cheering their team against everyone else. The Brazilian national futebol team proved succinctly Brazilian.  With the integration of Afro-Brazilians into the sportÕs limelight, futebol now represented all Brazilians and became a symbol of pride and victory for Brazilians.  This was especially true during the Golden Age of Brazilian futebol in the 1950s when the game put the developing country on the map.  In 1950, just over fifty years after futebolÕs  introduction to Brazil, the nation hosted the World Cup in Rio de JanieroÕs Maracan‹ Stadium, the largest stadium in the world.  Despite BrazilÕs dramatic loss to Uruguay in the final round, Brazilians reveled in the celebrations and took great pride that the international spotlight focused on their country.

Poster for 1950 World Cup

Sociologists tell us that sport is much more than merely a recreational activity.  One important element of sport—the uniting of people around a certain team and developing a common interest and collective identity within that society—is precisely what happened in Brazil.  On the national level, futebol in Brazil unified the growing urban cities through its teams, knowledge of the sport, and various communications media.

Sport created unity through the developing rivalries between the different teams in a certain region.  Sociologist Janet Lever noted that Òsport encourages conflict which is more exciting than harmony.Ó[11] The conflict that sport creates does not harm the community, but rather builds unity. Under the conflict theory of sociology, sport possesses four major aspects.  One aspects is the promotion of unity through division and cooperation.[12] This can be seen in Brazil how futebol has united the country through several ways. Sport conflict benefits society because it requires collaboration and cooperation, encouraging elements of unity in the teams.[13] Another part of the conflict theory is that sport requires cooperation.  Cooperation Òbecomes a product of sport rivalry through the desire to test skills, spirit, and the favors of fate,Ó[14] which is definitely seen in Brazilian futebol.

In the growing Brazilian urban centers this proved particularly true.  Rio de Janeiro, for example, has twelve futebol teams. The four biggest, and most popular, Rio teams are Fluminense, Botofago, Vasco de Gama, and Flamengo, each with different fan base.  The Fluminense/Flamengo rivalry, one of the most important, has been played yearly since 1912.[15] Such rivalries unite the urban population becauses the rival fans are participating in a shared event. Thousands and thousands of Fluminense and Flamengo fans watch the games, unconsciously creating unity among them all, even if they were cheering for opposing teams.

Fans also are united with other fans of their team, creating a sense of family.  As Flamengo fans say: ÒWhen you meet a Flamengo, you meet a friend.Ó[16]  It is a sense of brotherhood that unites all Flamengo fans—they are all one family. In an urban setting with its many rural, diverse immigrants pouring into the favelas, fans become a family and a community.  So strong are these bonds that one story tells of a thief who stole a wallet from a man.  When he opened the wallet and saw the Flamengo card in it, he returned the wallet because he too was a Flamengo fan. [17] This story demonstrates the sense of community that is developed among the fan base of the teams. Even though these examples were of Flamengo fans, the same can be said about all of the other teams as well.

Trade cards from 1910s promoting the Flamengo (L) and Botofago (R) teams

The teams also draw their fan support and identity from different bases, whether elites, the masses, or various immigrant groups.  Janet Lever points out that ÒThe Fluminense represent the old rich, Botofago is identified with the modern middle class, Vasco de Gama is associated with the Portuguese immigrants and their descendants, and Flamengo is the team for the masses of black and poor residents.Ó[18]  This attachment of fans to ÒtheirÓ group is strong indeed, and Òsport contests will arouse the strongest passions where they are linked with the status groups that arouse the most passion, mainly the primordial groups.Ó[19] The primordial sentiments of birth, social class, language, race, tribe, or ethnicity, become the basis for cleavages and prejudices within society.[20]  Local soccer teams publicly sanction and express the societyÕs deepest primordial sentiments, while the phenomenal success of the national team enormously heightens all BraziliansÕ pride in their citizenship.[21]

For example, Vasco de Gama was the team of Portuguese immigrants residing in Rio de Janeiro.  A similarly named team existed in Portugal, so the immigrants were immediately familiar with the Brazilian counterpart.[22] This familiarity allowed the immigrants to build a bridge between the home they left behind and their new one. They were integrated into Brazilian society because of their knowledge, and support of, Vasco de Gama.  Fluminense, on the other hand, represents the wealthy elite, so a certain style of play and attitude is expected of that team that is not expected of Flamengos, which represents the urban poor.  Lever notes, for example, that ÒFlamengo players are expected to act rough and crude; a more gentlemanly code is imposed on Fluminense players because of their heritage they represent.Ó[23]

Sport also unifies a society through knowledge. Fans study and know their favorite teams and the rivalries. The shared knowledge, traditions and symbols of fans help sports integrate society.[24] The Fluminense fan knows everything know about his team, but he also knows all about the teams that Fluminense plays.  This knowledge gives him the chance and opportunity to interact both with other Fluminense fans and with fans of other, surrounding teams.  This shared knowledge unifies the fan base, which in Brazil constitutes most of society, and provides fans with a means to interact with one another.

Communication is another unifying aspect.  Sport encourages and produces communication among fans because they will interact with one another both during the matches themselves and in daily life.  Sport is also an essential means of communication among people because Òpeople devote more time to playing, watching, and discussing sport than any other organized activity in public life.Ó[25] As a result, communication encourages unity. In Brazil, futebol is so popular that most of society has a favorite team that they love and follow. Futebol thus provides a topic of conversation for fans. Strangers on the street all have something to talk about—the teams, matches, victories.  People need something to talk about and in Brazil, Òsoccer provides one of those common interests and topics.Ó[26] The futebol matches themselves are times of communication and interaction.  Maracan‹ stadium was not designed specifically for the spectators just to sit and watch the game, for ÒBrazilians go to matches not just to watch but to participate, and the antics of the crowds are often as diverting as the plays on the field.Ó[27] Sport, especially futebol in Brazil, promotes communication and provides the community with common symbols, a collective identity, and a reason for solidarity.[28]

Brazilians are in love with their futebol and are devoted fans.  For Brazilians a futebol match is almost a mini-carnival in atmosphere. The steel drum bands play samba music; the crowds teem with excitement and energy. For this very reason, futebol matches are unique cultural events where cultural expression can be released, enjoyed and participated in by all.  Fans Òoften beat drums from start to finish and in doing so they reinforced the rhythms of the players, who converted dribbling into a form of dance.Ó[29]  This reveals the passion and dedication that Brazilian futebol fans have for their teams.  Along with their dedication, they revere and love the players, their heroes.  The best selling record in Brazil in 1958 featured the voices of the players and officials of that yearÕs World Cup-winning team.[30] During the Golden Age of Brazilian futebol from 1950 to 1970, Òattendances of football matches were higher in Brazil than in any other country.Ó[31] In Brazil, Òsports command the largest audiences for popular culture events.Ó[32]

Futebol matches often become a competition between the opposing fans on who is the loudest and most spirited. The crowd is filled with fans decked out in the colors and symbols of their teams. In Brazil, bigger is better, and this is certainly the case when it comes to fans cheering on their teams.  Banners and flags are Òmust-havesÕ for fans, and Òsome banners are so large that they are transported by truck and require the cooperation of an entire section of fans.[33] Sound volume is another element of the competition.  Cheers and chants are not enough.  Fans bring their own samba bands that Òinspire communal singing and cheers.Ó[34] Firecrackers are popular noisemakers after forgoals are scored. Futebol matches in Brazil can bring entire communities together. The participation and cheering are communal and shared by all the fans, even those of opposing teams. This fanaticism can be so extreme that futebol has been called the Òopium of the peopleÓ[35] in Brazil, because the devotion and fervor of its passionate fans.

On the international level, futebol fanaticism has united Brazil in competition against other countries.  In the first half of the Twentieth Century, Brazil was a developing country  trying to assert itself among the great powers of Europe and the United States.  Its desire for global recognition was demonstrated during World War II when Brazil sent troops to aid the Allies in an attempt to become a player on the global scene.  But it was futebol that thrust Brazil onto the international scene and made other countries to recognize her and her talents.  Futebol became Òa source of collective pride for BraziliansÓ and proved that their country could compete with the other great powers and even win.[36]

Conflict theorists note that most countries use sport as the showplace for displaying their national symbols, promoting national pride.[37] In Brazil, futebol Òwas linked ideologically to national identity and it was mobilizing unprecedented displays of patriotism.Ó[38] The construction of the Maracan‹ stadium, Òfostered a football-inspired patriotism that was not only the embodiment of BrazilÕs sporting ambition, but also of the countryÕs place in the modern world.Ó[39]  Futebol was not merely the sport that everyone could play, especially once the racial barrier was broken, it was a social activity around which Brazilians could rally at local, the national or international level. In Brazil, Ònothing compares with the Brazilian selection of the National Team as a basis for collective identity and a focus of solidarity.Ó[40]

Est‡dio Jornalista M‡rio Filho, better known as Maracan‹ Stadium, in Rio de Janiero

Futebol also proved a means of healing BrazilÕs racial divides.  Race and racism in Brazilian society have always been important topics, especially because most Brazilians are a mix of different races, a hybrid of ethnicities. In the early Twentieth Century, racial ideology rested in the hands of Freyre and his ideas.  FreyreÕs conception of a superior Brazilian race produced the notion of ÒwhiteningÓ regarding the mixing of ethnicities. Whitening was the idea that, through the intermarriage of the lighter people of European descent with the people of African and Indian descent, those races were gradually become Òwhiter.Ó The whiter oneÕs skin color got, the ÒbetterÓ it was. This idea of whiting was prevalent among the elite Brazilians, who believed that the superior Brazilian race was developing through the ÒwhiteningÓ of the Afro-Brazilians and Indians.  FreyreÕs ideas did not promote racial equality.  Instead, FreyreÕs works reinforced the ÒwhiteningÓ ideal Òby showing graphically that the (primarily white) elite had gained valuable cultural traits from its intimate contact with the African (and Indigenous, to a lesser extent) component.Ó[41]

Racism hid below the surface of society and the myth of racial democracy. White Brazilians had no overt racism to the Afro-Brazilians because they believed that the Afro-Brazilians would gradually become white. They accepted the Afro-Brazilians into society in the lowest terms because they thought that they would not stay black.  This ideology differed from the racial ideology of the United States; concomitantly, the two nations developed starkly contrasting expressions of racism.  One reason was that in Brazil, there existed such a myriad of ÒcolorsÓ in contrast to the United States with its ÒtwoÓ races. In Brazil, Òthis complex racial mixture and color spectrum made the construction of legal segregation impractical, if not impossible.  How could the separation be defined, much less maintained?Ó[42] The spectrum of differing shades of race made it virtually impossible to establish a legal, official segregation, especially when, under the ÒwhiteningÓ theory, mulattos, mestizos, and other mixed-race groups considered themselves not as black but as white.[43]

Similarly, FreyreÕs ideology of a superior race led him to coin the term Òracial democracy,Ó the idea that the races had uniform equality across the board.  Believing that the superior race of Brazilians also contributed to the racial makeup of society, Freyre could look at Brazilian society and claim that Brazil had racial equality. Freyre had observed firsthand the segregation in the United States, so he argued that Brazil was better than America because Brazil lacked segregation so that the different ethnicities had assimilated into and formed Brazilian culture.  He saw the races as equal because there was no explicit segregation.  Freyre wrote that Brazil was Òhybrid from the beginning.  Brazilian society is, of all those in the Americas, the one most harmoniously constituted so far as racial relations are concerned, within the environment of a practical, cultural reciprocity that results in the advanced people deriving the maximum of profit from the values and experiences of the backward ones.Ó[44]  Freyre thus claimed that the Brazilians were unique and possessed racial harmony, but as futebol was to prove that was not the case.  There was still racism, only it was just hidden.

Racial democracy became the overarching doctrine of Brazil in the early Twentieth Century.  Most Brazilians adopted and promoted FreyreÕs idea of racial democracy, especially the elite Brazilians. The paradox of racial democracy was that it claimed that no racism existed in Brazil, but racism always existed under the surface of societal structures.  Elites thought, that because Brazil had no laws or rules regarding segregation, it therefore possessed equality, but their attitudes displayed the nationÕs deep social divides.  Slavery had ended only 40 years before, but the economic and social conditions of the Afro-Brazilians remained much the same—stuck at the bottom levels of society. Most lived in poverty on rural farms or in the slums, or favelas, of the growing urban centers.  Racial prejudices became tied to social prejudices, just as there was a division in the social classes.  The elite were a much ÒwhiterÓ class than the darker, lower class.  As a famous saying in Brazil puts it: ÒMoney whitens.Ó[45]

One reason why racial democracy became so accepted and seemed true was the condition of the slaves after slavery was abolished in 1888.  In Brazil, workers were still needed for the many coffee and other plantations. But instead of utilizing the ex-slaves, Brazilian landowners brought in European immigrants as a new work force. The influx of immigrants pushed the Afro-Brazilians out of the work force and doomed them to poverty.  This also hurt their social standing as Òthe Negro found that the immigrant was ranked far above him in the scale of preference.Ó[46] Sociologists Carlos Hasenbalg and Suellen Huntington point out that because Òthe replacement of black ex-slaves by white immigrants resulted from hiring decisions by individual employers rather than from any systematic or organized organization, [this tended] to create class rather than racial antagonisms.Ó[47]

This was exactly what the proponents of racial democracy, including Freyre, argued.  They contended that the only prejudices were on a basis of class and not race. On the other hand, Fernando Cardosa, another Brazilian sociologist, argued against this.  His research showed the exact opposite, Òrejecting the idea that the existing prejudice is an expression of class and not racial values.Ó[48] It is true that social class was involved in issue prejudice, but racism was also there. It is evident that color prejudices existed in various regions of Brazil and had penetrated in varying degrees into all social classes.[49]  Class discrimination just added another dimension to the already present racial discrimination.  Afro-Brazilians were now not just racially inferior, but socially inferior as well.[50] There are many examples of the prejudices faced by the Afro-Brazilians and others with a non-white skin. Baron Rio Branco, the Brazilian foreign minister from 1902 to 1912, Òfollowed a Ôwhite onlyÕ policy in recruiting diplomats and in choosing special envoys for missions abroad.Ó[51] Even regarding immigration, Brazilian government officials systematically refused immigrant visas to black immigrants from the United States because they wanted to lessen black influences in Brazil.[52] Futebol proved this point with the integration of club futebol teams.

Racial democracy was supposed to establish that races were equal in society; it was generally thought that it was true.  Nevertheless, futebol unveiled the myth of racial democracy. When futebol was first instituted in Brazil, it was played only by the British.  The game then moved to elite clubs where it gained more popularity among the Brazilian population.  To play for a club, however, required a mandatory fee.  While the fee varied depending on the club, it still proved expensive for most Brazilians.  So the first few decades of futebol in Brazil were played primarily by the elite class, who were the only ones who had the money to play.  As futebol gained popularity among the general population, especially  in the favelas, the sport quickly became popular with the Afro-Brazilians.

The Afro-Brazilians quickly adapted futebol to their own cultural traditions.  Dribbling became more than just running down the field; it became into a rhythmic samba dance perfected by the Afro-Brazilians.  Afro-Brazilians emerged as the upcoming stars of futebol in the 1930s.  But clubs refused for many years to allow Afro-Brazilians merely because they were black.  This is where futebol proved that racial democracy was indeed a myth.  If all the races were equal, then why were the clearly talented Afro-Brazilians denied the chance to play on teams?  There may have had no laws and government regulations regarding the segregation of races, but an underlying racism remained common among the elite. The President of Brazil forbade the selection of black players for the South American championship in Buenos Aries in 1921. In 1923 when Vasco de Gama, a Portuguese immigrant club, allowed black and mulatto players on their teams, many of the other clubs, especially the elite club teams, declared that unacceptable.[53]

 If Afro-Brazilians did play on a team, they were either light-skinned or tried to make themselves whiter.  Futebol historian Alex Bellos noted that those Afro-Brazilians who did play in these early years Òwere made to feel ashamed of their color.Ó[54] Arthur Friederich, the son of German-Brazilian father and Afro-Brazilian mother, was one of the first Afro-Brazilians to gain acceptance in futebol.  Even then, he put rice powder on his face before matches so that his face would appear whiter.[55] Although he was only half black, Friederich was always labeled as black, which angered him.[56]  Carlos Alberto Torres, the first mulatto to play for Fluminense Òbefore matches tried to flatten his hair as much as he could, covering it in brilliantine and rolling a towel around his head like a turban.Ó[57]  So while they were eventually allowed on teams, Afro-Brazilians tried to appear ÒwhiterÓ to gain acceptance from other players and fans.

Carlos Alberto Torres

This refusal of the elites to allow the Afro-Brazilians to play on the club teams reinforced the racism of Brazilian society.  Unfortunately for the elites, the Afro-Brazilians were talented, much more talented than many of the club players.  A clubÕs desire to win games soon overcame any racist desire to keep black players off their teams.  For the Afro-Brazilian players, playing futebol became a way to rise above the poverty level and to make a name for themselves.  Futebol offered these young men an opportunity to leave the favelas—where they were doomed to live their lives out in squalor. For the urban poor—whites, blacks and mulattos—inhabiting favelas and for workers in towns and cities, futebol Òpresented the prospect of escape into a better world, at least a lift out of the direst poverty.Ó[58] This was their way of escape, playing a sport that they had grown up playing for fun, but once they realized it was much more than a recreational sport. Especially once the clubs were professionalized and athletes were then paid to play.

Domingos da Guia

Tragically for many black players, when their playing careers were over, prejudices still remained.  Once their careers were over, they were forgotten and sent back to the favelas from whence they came.  The Òsuicide rate among former Afro-Brazilian players was high,Ó writer Tony Mason has noted, because it seemed as if prejudices were temporarily suspended only while they were playing, winning and becoming heroes.[59] Fausto, an early great black futebol player, compared himself to an orange that would one day be left as pulp by the white bosses.[60] Fausto died penniless and alone just a few years after his career ended.[61]  Another black futebol hero, Domingos da Guia, during the height of his career Òescaped punishment in 1937 for a motor vehicle accident which killed a pedestrian, but in 1944 was sent to prison for carrying false papers.Ó[62] After da GuiaÕs career ended, he too became Òa middle-aged black man who had only a primary education and little work experience in the world of business.Ó[63] Futebol had elevated him to the status of hero, but once that was gone, so too was his fame and fortune. 

It took the entrance of PelŽ on the Brazilian futebol scene to change the manner in which society treated Afro-Brazilians.  Even at the World Cup in 1958, there were protests because of the Afro-Brazilians on the team.  Many elite Brazilians still held on to their racial prejudices and did not want black players to represent them to the world.   The team psychologist told the coach Vicente Feola not to play seventeen-year-old PelŽ [Edson Arantes Do Nascimento] and twenty-four-year-old Garrinacha [Manoel dos Santos Francisco] because they were black.[64]  He believed that their blackness would keep the team from winning the World Cup.  Feola did indeed keep the pair out of BrazilÕs first two games, but the intervention of star veteran Nilton Santos and the other Brazilian players convinced Feola to use both men in the later games.  PelŽ finished the tournament with six goals, including a hat trick against France, and trailed only FranceÕs Juste Fontaine, who scored thirteen, for most goals scored.  In the final, Garrinacha set up Brazil's first two goals on route to a 5-2 defeat of host Sweden and BrazilÕs first World Cup.  Afterwards Brazilian soccer was never the same.

Edson Arantes Do Nascimento, better known as PelŽ, performing a trademark bicycle kick.

FeolaÕs decision to play PelŽ and Garrinacha changed the face of Brazilian soccer and turned the two Afro-Brazilian players into Brazilian national heroes.  But futebol had also changed the racial identity of Brazil.  The society soon faced a challenge with the rise to stardom of PelŽ and Garrincha.  PelŽ was unquestionably the best futebol player in the world, and he was black.  PelŽ was also a national hero.  He made a name for Brazilian futebol and became a symbol of pride for all Brazilians.  What was Brazilian society supposed to do with the amazing, talented black futebol player?  Futebol and the stardom of PelŽ changed Brazilian society because it began to accept and even admire PelŽ not only for his futebol talent, but also him as a person and more specifically as a black person.

Despite being born with leg deformities requiring surgery, Manoel dos Santos Francisco [Garrincha] (L.) became one of the gameÕs greatest ball-handlers and helped Brazil win its first World Cup in 1958.

PelŽ was the first Afro-Brazilian to be honored for his talent.  He demonstrated to Brazilian society that ÒwhiteningÓ was an invalid idea; it did not create a superior race as Freyre said it would.  PelŽ earned his praise as a black man with his skills.  He proved that Afro-Brazilians deserved an honorable place in Brazilian society. He also disproved the myth of racial democracy, for if Brazil truly had been a racial democratic county, there would have been no dispute over PelŽÕs playing in the World Cup and his representing Brazil.  PelŽ, through the instrument of futebol, proved that racism existed in Brazilian society; furthermore, he overcame that racism by working hard and exhibiting his talent for the world to see.

PelŽ entered a previously unreachable social arena for those very reasons.  Yet the greatest significance is that he became the national hero of Brazil through futebol because he embodied Brazilians.  He was Afro-Brazilian and was the first black man to be not only accepted but celebrated by all Brazilians and the entire world. He represented Brazil to the world and became a part of the national identity of Brazil. He was the best futebol player in the world and led the Brazilian team to its Golden Age of soccer that started the great legacy.

Since then, the national team has been composed of differing racial backgrounds.  Most importantly, the squad has the best record of any in the world, and it is the only team to have won the coveted World Cup soccer championship five times.[65] PelŽÕs significance in history is that he, being Afro-Brazilian, was declared a national treasure by the government in 1962.[66]  He embodied Brazilian identity, Òwhen Brazil needed national symbols to help unify a divided country, PelŽ served as one.Ó[67] PelŽ became a symbol of pride and Brazil to all Brazilians, Òthey identified his goals as their goals and made Brazilians proud to be Brazilians.Ó[68]

BrazilÕs 1962 World Cup-winning national team

In addition to altering the racial landscape of Brazil, futebol also pushed Brazil toward modernization. Futebol influenced technology in Brazil, as advances in sport and technology often go hand in hand.[69]  Radio, television, and print media were directly affected by futebol.   With fan base that encompasses the entire country, Brazil realized its fans hungered to hear matches broadcast, to read about their favorite players and teams, and, later, to see matches on television when attending a game was impossible. The advent of futebol soon pushed media corporations to build their networks to meet the needs of the gameÕs fans.

Futebol provided a link between the rural and urban regions of Brazil as well. Domestic airline services emerged when the national futebol championship was created. Radio was one of the major factors of futebolÕs increasing popularity in the 1930s.[70] Media was important to keep the unity and cohesiveness of Brazilian society and unite it geographically.  Telecommunication links emerged to broadcast games to the rural areas of Brazil.  Radio lines soon carried signals all the way to the Amazon Basin. Now Brazilians in rural communities could still keep up and know about their teams. The 1970 Word Cup provided the occasion to lease space from orbiting communication satellites, which established the first telecommunication link between northern and southern Brazil.[71] This helped both to unify the country and to spread the popularity of futebol.       

The two important media forms in that day were radio and newspapers. During the first half of the Twentieth Century, Mario Filho, a Rio de Janeiro journalist, started the Jornal dos Sports, the first Latin American sports daily.  Still published today, the Jornal dos Sports proved critical in providing fans with the latest news in Brazilian futebol.  Today, its Monday circulation rivals that of the cityÕs best-selling general newspapers.[72]  Television has now replaced the radio as the other most important medium. Telecasts of matches bring additional revenue to the teams and further the familiarity of the average fan with his sport heroes.[73] Ratings indicate that World Cup games capture nearly 100 percent of the television audience in Rio.[74]

Another modernizing effect of futebol occurred when it moved from an amateur to a professional sport.  When futebol was first introduced—and even after it became a national sport—it remained an amateur sport.  The lack of payment for playing hindered lower-class Brazilians from playing on club teams because the lower classes had little money and had to work for a living.  On occasion, clubs might give their playersÕ small stipends for their hard work, while on some elite clubs, players actually had to pay to play on the team.  In the 1930s, clubs began to professionalize, opening the playing field and promoting talent among all Brazilians.  The club directors, instead of relying solely on the elitist class, began Òactively recruiting talented players, independent of their social class.Ó[75] Breaking the social class divide proved as important to futebol as breaking the racial barrier.  Both made futebol a sport in which any Brazilian could compete.

The move to professionalism also provided a democratic model for Brazilians.  Traditionally a hierarchical society that regarded equality among all Brazilians as a joke, Brazil learned that  futebol provided a pitch that equalized the players.  Economic, social, and racial background could not change the talent a player possessed.  Renaldo Helal, a Brazilian sociologist, makes this point clear: ÒThus soccer can be seen as a special instrument that allows Brazilians from all social classes, races, regions, and creeds to symbolically break the everyday life hierarchy – based on the traditional ethic of patronage and social connections – and experience equality and social justice, fundamental aspects of the ÒmodernÓ ethic.Ó[76]

Helal claimed that Brazilian society had a Òdouble ethic.Ó[77]  One was the hierarchical, traditional structure that stratified society and based an individualÕs status in society on external circumstances such as race, family, and economic situation.  The other ethic was the one that futebol introduced, in which oneÕs position in society was based on personal performance.  ÒSoccer has provided Brazilians with an open and highly democratic equality because it is entirely based on performance.Ó Helal noted.[78]

Futebol embraced and promoted the democratic ethic, changing the face of Brazilian society and becoming a Òtemporary escape from the national problems such as inequality, injustice, and authoritarianism.Ó[79]  The game provided a chance for players and spectators alike to be their own individuals, Helal argues, because Òsoccer opens the possibility for individualized and free expression, when someone can be what he is, with his skills and weaknesses.Ó[80]

Much more than just a recreational activity, futebol is an integral part of Brazilian society the cultural and social glue that holds meaning and creates unity for the entire country.  In the early Twentieth century, futebol transformed the Brazilian society and helped shape a national identity.  As symbol of pride on the international level for the nation, the sport united Brazilians through their roles as fans and forged solidarity within society.   As acts of cohesion among the fans and citizens of the cities, futebol matches are Òone of the central cultural forms, promoting a sense of national community providing a rite and a spectacle on which a disparate, multi-racial, unequal and dependant society could project its overarching dreams of pride and reconciliation.Ó[81]

Futebol also changed the racial identity in Brazil, uncovering the racism that lurked beneath the surface. Futebol helped Afro-Brazilians and other minorities also to rise above the social and class prejudices they faced because of their darker skin.  By focusing on the individual, the game additionally provided a democratic example of the equality of all men.  Unlike the traditional aristocracy of the Brazilian elite that focused on family, wealth, and race for societal status,  futebolÕs middle and working class supporters pushed the nation to modernize by demanding telecommunication links that united the country geographically.  Futebol is a such source of pride and joy for all Brazilians that the Jornal do Brasil once compared BrazilÕs victory with the soccer ball to the conquest of the moon by the United States.[82]

[ [ [ [ [ [[

 



[1] Thomas E Skidmore, ÒRace and Class in Brazil: Historical Perspectives,Ó in Race and Class in Latin America, ed by Magnus Morner, (New York, Columbia University Press, 1970), 1.

[2] Ibid 5.

[3] Gilberto Freyre, The Masters and the Slaves, Trans. by Samuel Putnam, (New York: Alfred Knopf, 1956), 5.

[4] Ibid, 114.

[5] Ibid, 285.

[6] Marshall Eakin, Brazil, the Once and Future Country, (New York: St. MartinÕs Griffin, 1998), 117.

[7] Freyre, 113.

[8] Ibid, 360.

[9] Alex Bellos, Futebol: the Brazilian Way of Life, (New York: Bloomsbury, 2002), 48.

[10] Ibid, 82.

[11] Janet Lever, Soccer Madness, (Chicago: The University of Chicago Press, 1983), 45.

[12] Jay J Coakley, Sport in Society: Issues and Controversies, (St. Louis: The C.V. Mosby Company, 1982), 23.

[13] Janet Lever, ÒSport in Fractured Society: Brazil Under Military RuleÓ in Sport and Society in Latin America, ed by Joseph Arbena, (New York: Greenwood Press, 1988), 86.

[14] Lever, Soccer Madness, 4.

[15] Ibid, 54.

[16] Ibid, 76.

[17] Ibid, 76.

[18] Lever, Sport in Fractured Society,86.

[19] Lever, Soccer Madness, 5.

[20] Ibid, 6.

[21] Ibid, 7.

[22] Ibid, 77.

[23] Ibid, 76.

[24] Ibid, 21.

[25] Ibid, 3.

[26] Lever Sport in Fractured Society,89.

[27] Joseph Page, ÒSoccer Madness: Futebol in Brazil,Ó in Sport in Latin America and the Caribbean, ed. by Joseph Arbena, (Wilmington: SR Books, 2002), 39.

[28] Lever, Soccer Madness, 14.

[29] Page, 37.

[30] Tony Mason, Passion of the People? Football in South America, (London: Verso, 1995), 118.

[31] Ibid, 100.

[32] Lever, Soccer Madness, 55.

[33] Ibid, 79.

[34] Ibid, 79.

[35] Matthew Shirts, ÒSocrates, Corinthians, and Questions of Democracy and CitizenshipÓ in Sport and Society in Latin America, ed by Joseph Arbena, (New York: Greenwood Press, 1988), 103.

[36] Ilan Rachum, ÒFutebol: The Growth of a Brazilian National Institution,Ó The New Scholar 7, no. 1-2 (1978): 183.

[37] Coakley, Sport in Society, 26.

[38] Bellos, 30.

[39]